Swift performed the song live while supporting as the opening act for other country-music artists' concert tours, and included it on the set list of her first headlining tour, the Fearless Tour (2009–10). The video received a nomination for MTV Video Music Award for Best New Artist, but lost to Tokio Hotel's music video for " Ready, Set, Go!". The song's music video was directed by Trey Fanjoy and features Swift as she sees her love interest develop a relationship with another female. The single was certified triple platinum by the Recording Industry Association of America (RIAA). "Teardrops on My Guitar" peaked at number 13 on the Billboard Hot 100 and was Swift's first pop-radio crossover single on the Mainstream Top 40 chart. They complimented Swift's vocals and songwriting for earnestly portraying heartbreak. Music critics have conflicting opinions about the song's country-music classification those disagreeing said it had a pop-music production. Musically, the track is a gentle acoustic guitar-driven ballad that incorporates mandolin and fiddle. Swift was inspired to write "Teardrops on My Guitar" by her unrequited love for a high-school classmate. It was included on the international edition of Swift's second studio album, Fearless, and released in the UK in 2009. The song was released to US pop radio as a crossover single in November 2007. Big Machine Records released "Teardrops on My Guitar" to US country radio on February 20, 2007. Swift wrote the song with Liz Rose, and Nathan Chapman produced it. “Though they bear numbers, they are not arranged heirarchically - each Commandment has equal import." Teardrops on My Guitar" is a song by the American singer-songwriter Taylor Swift and the second single from her self-titled debut album (2006). Even a lima bean has to have a piece of wet paper around it to make it grow. If you have a roof on your house, the hot air can’t escape. If you don’t play your guitar for more than a day, be sure you put a saucer of water in with it. When you’re not playing your guitar, cover it and keep it in a dark place. Then you have to get that stink onto your music. He just stands there like the Statue of Liberty - making you want to look up her dress the whole time to see how he’s doing it. Another key to the church is Hubert Sumlin, Howlin’ Wolf’s guitar player. His song “I Need a Hundred Dollars” is warm pie. He was a Detroit street musician who played in the fifties on a homemade instrument. But make sure you are not standing in an open field. Just hit a big chord then run outside to hear it. Your instrument has more clout than lightning. If you can trap that feeling, then you have something that is fur bearing. You should play like a drowning man, struggling to reach shore. If your brain is part of the process, you’re missing it. But an electric guitar attracts Beelzebub. You have to be an equal opportunity employer in terms of who you’re brining over from the other side. Old Delta blues players referred to guitar amplifiers as the “devil box.” And they were right. If the bush doesn’t shake, eat another piece of bread. Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. Use it to find spirits in the other world and bring them over. They fly really fast, but a lot of times they aren’t going anywhere. Birds know everything about how it should sound and where that sound should come from. The following sound advice can be found in the book Rolling Stone’s Alt-Rock-A-Rama (1996) which includes an article written by John McCormick about Moris Tepper.īudding guitarists take note.
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